Great News - ies!

When I was 15 years old I saw a film that would become one of my all-time favorites!  And not just because it had a cast of good-looking, teenage actors.  Watching "Newsies" on-screen made me smile, had me singing, and dreaming I could dance.

In a time before digital downloads and even CDs I listened to the movie's soundtrack again, and again, and again.  My friend and I even used a good old fashioned tape recorder and recorded the songs while watching the movie.  That way, we had the versions with the speaking parts included.

Fast-forward 20 years and now there's a stage adaptation of this entertaining story.  From the moment I heard the show was opening on Broadway I knew I had to see it.  I anxiously awaited news (pun intended) from the theatre websites on how the show was developing and when it would be opening.  Then it got nominated for a slew of awards!  Not to get all "hoity toity" but I felt a sort of pride in the show's recognition.  It's an amazing story with great music and quite fitting for the stage!

For those of you who may not be familiar with "Newsies" here's a brief synopsis...In 1899, the newsboys of New York stand up and fight for their rights against mighty publishing giants, Joseph Pulitzer and William Randolph Hearst. As they find their voice (not just musically mind you) they speak for not only their fellow newsies but for the rights of children workers everywhere!

With music from the genius Alan Menken, lyrics from the exceptionally talented Jack Feldman and a book by Harvey Fierstein, this production of "Newsies" excels on many levels.  From the set design to the brilliant choreography, "Newsies" lets the story lead the way.  All of the pieces working together to create a powerful production.  I'd be remiss not to mention the extremely gifted cast including the range of Broadway newcomers like Ben Fankhauser ("Davey") and Kara Lindsay ("Katherine").  As "Jack Kelly", Jeremy Jordan holds our attention, has us cheering him on and understanding the struggles his character faces.

The movie's worth watching, partly to see Christian Bale singing and dancing but because of the catchy music and amazing choreography from Kenny Ortega.  Then, go see the show on Broadway!  It'll be a couple of hours that'll leave you cheering, humming and smiling.  But even more than that, there's a certain pride in what makes our country unique.  Joining together to fight for a cause that we believe in.  Standing up for one another even when told there's no hope.  Ultimately believing that decency, equality and communication are possible!

For more information on the Broadway musical, visit www.newsiesthemusical.com

All the best,
Kelly

Award show praise: The 2011 Tonys

All other award shows of this season and next take note; The Tony Awards knows how it’s done! You’d be remiss to not look to them for inspiration and motivation when planning your own production. Here are just a few reasons The 2011 Tony Awards deserves praise:

• NEIL PATRICK HARRIS: A host who’s funny, smart, respectful and multi-talented. He’s a perfect fit for the theatre industry because of his wide range of talent. Not only can he pull off one-liner zingers but he can sing and dance. But most importantly, he supports the industry. He’s a fan of the Broadway community and that affection shows in his hosting duties.


• SHOWCASE OF NOMINATED WORK: The Tony Awards are known primarily for the musical numbers performed each year. And understandably, you’re not likely to find a Best Picture nominated scene to be re-enacted at The Oscars but the Broadway community understands not only their audience but their industry as well. They have a respect for the work created and don’t hesitate in showing it off.


• DIVERSITY: Not only does The Tony Awards include many age, ethnic, sexual orientation and religious groups but the work represented are just as diverse. From the classic Broadway style musicals, like “Anything Goes” and “How to Succeed in Business Without Really Trying” to the edgy, contemporary musical “The Book of Mormon” Broadway’s range of topics, style and genre makes it appealing to a wide array of potential theatre goers.


• SUBDUED CELEBRATION: Ok, so perhaps you wouldn’t necessarily think of a Broadway community as being subdued but let me explain. The show isn’t about flashy stars, who’s wearing what or blatant marketing tactics. Instead, The Tony Awards celebrate the work of their community in a way that showcases their strengths. The show, in and of itself, is the best marketing tool the community has available. If a viewer doesn't have a desire to come see a Broadway show after watching the awards then the broadcast has done a disservice to not only the industry but to their audience as well.


• STAR POWER: Most viewers wouldn’t be able to recognize a great many of the nominees if they passed them on the street but you still get a feel for their work by the recognition of their peers. Sure there are stars in the Broadway community but I don’t mean TV/Film personalities who get top billing. I’m thinking of professionals like Sutton Foster, Patti Lupone, Matthew Broderick, Kathleen Marshall, Patrick Wilson, Rob Ashford and more; Individuals who are well respected within the community and whose longevity in the medium earns them the respect of their peers and theatre aficionados.
  
  So, if you’re getting ready to plan out your award show production style I invite you to look to the 2011 Tony Awards as a model of inspiration.
  
  All the best,
  Kelly